Monday, January 26, 2009

Domination by a Beauty So Pure

cover ian fleming james bond diamonds are forever
One of the best examples depicting the obsession and passion for diamonds has been the following text in Ian Fleming's "Diamonds are Forever". Here, M shows James Bond what makes a quality gem:

"Don't push it in. Screw it in," said M impatiently.

James Bond, making a mental note to pass M's dictum on to the Chief of Staff, again picked up the jeweler's glass from the desk where it had fallen and this time managed to fix it securely into the socket of his right eye.

Although it was late July and the room was bright with sunshine, M had switched on his desk light and tilted it so that it shone straight at Bond. Bond picked the brilliant-cut stone up and held it to the light. As he turned it between his fingers, all the colors of the rainbow flashed back at him from its mesh of facets until his eye was tired with the dazzle.

He took out the jeweler's glass and tried to think of something appropriate to say.

M looked at him quizzically. "Fine stone?"

"Wonderful," said Bond. "It must be worth a lot of money."

"A few pounds for the cutting," said M dryly. "It's a bit of quartz. Now then, let's try again." He consulted a list on the desk in front of him and selected a fold of tissue paper, verified the number written on it, unfolded it and pushed it across to Bond.

Bond put the piece of quartz back into its own wrapping and picked up the second sample.

"It's easy for you, Sir," he smiled at M. "You've got the crib." He screwed the glass back into his eye and held the stone, if it was a stone, up to the light.

This time, he thought, there could be no doubt about it. This stone also had the thirty-two facets above and the twenty-four below of the brilliant-cut, and it was also about twenty carats, but what he now held had a heart of blue-white flame, and the infinite colors reflected and refracted from its depths lanced into his eye like needles. With his left hand he picked up the quartz dummy and held it beside the diamond in front of his glass. It was a lifeless chunk of matter, almost opaque beside the dazzling translucence of the diamond, and the rainbow colors he had seen a few minutes before were now coarse and muddy.

Bond put down the piece of quartz and gazed again into the heart of the diamond. Now he could understand the passion that diamonds had inspired through the centuries, the almost sexual love they aroused among those who handled them and cut them and traded in them. It was domination by a beauty so pure that it held a kind of truth, a divine authority before which all other material things turned, like the bit of quartz, to clay. In these few minutes Bond understood the myth of diamonds, and he knew that he would never forget what he had suddenly seen inside the heart of this stone.

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